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urban nostalgia and wonton soup

29 06 2004

I’ve been having a great time working as a digital storytelling trainer at Visible Ink (see below) and have been inspired by the creativity of the young participants, and the diversity of their approaches to what a digital story can be about and for.

So while I’m on the show and tell kick, and to explain my inconsistent blogging over the last weeks, I thought I’d be brave and make my own recently completed digital story (which is about music, a changing Brisbane and dodgy chinese food) available for download:
Watch it here (RealMedia, 10 MB).

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« Digital Storytelling is Go starfishman: the book, the movie, the website »

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  • Date : 29 June 2004
  • Categories : digital storytelling, personal

2 responses to “urban nostalgia and wonton soup”

3 07 2004
Barrie (10:35:41) :

Hi Jean,

I came across your digital story today. I loved it - a nice combination of refelction, memory and astute comment and clever use of simple graphics. I loved the way the table came alive with colour through the simple sequence near the start of the film.

I wish you well with your storytelling at Invisible Ink. Is it just a short project or does it have some legacy?

All the best

Barrie

4 07 2004
jean (08:33:19) :

Thanks so much for the feedback and the kind works Barrie - I appreciate it. I’m thinking of reworking the drawing section though - too many missing pixels at low resolution.

Yes, the workshops are ongoing - it is the first major phase of content creation as part of the Youth Internet Radio Network project here at QUT, although I won’t always be involved in the training for that. Digital Storytelling is a case study for my PhD, however, and I’m also hoping to do some workshops with older people in the local community - we have things in the works; let you know how it goes.

What’s your involvement with Telling Lives? Just as a point of interest, we here at QUT got into digital storytelling because we were fortunate enough to be involved in a ten-day “train the trainers” workshop with Daniel Meadows.



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