creativity/machine

I hope one day I get Anne as a panel chair/moderator, because in her role as moderator of the final session at Floating Points 2 (on networked art in public spaces) she’s going to ask the panel members this most wonderful question:

Isabelle Stengers has described the creative enterprise as an “adventure of hope” - inherently political processes in which we resist the probable and fully engage the possible. And Chantal Mouffe has pointed to other “social imaginaries” crucial in revitalising an everyday politics of hope. What kind of hope do you see in networked public space? How do you see hope acting in your work? What possibilities and imaginaries drive you?