My friend and colleague Melissa Gregg’s book Cultural Studies’ Affective Voices is out now. Having already read it, I can tell you it’s a seriously significant contribution to cultural studies scholarship, and it’s got a beautiful cover to boot.
In a series of encounters with key figures in the field of cultural studies, this book draws attention to the significance of voice and address in enacting a political project from within ‘the Academy’. Combining a focus on theories of ‘affect’ lately dominant in the Humanities with a history of cultural studies as a discipline, Melissa Gregg highlights the diverse modes of performance that accompany and assist scholarly practice. Writing from the perspective of a new generation of cultural studies practitioners, she provides a missing link between the field’s earliest political concerns with those of the present. Throughout, the ongoing importance of engaged, public Intellectualism is emphasized.