creativity/machine

A personal research blog about vernacular creativity and technology by Jean Burgess.
  • Blog
  • About
  • Research
    • PhD Project: Vernacular Creativity and New Media
    • MPhil Project: Brisbane’s Contemporary Chamber Music Scene
      • M.Phil Bibliography
  • Publications
  • Contact

After the Apology

13 02 2008

Sorry the first step

Like many others, I was floored by how utterly uncynical, uncompromising, and genuinely empathetic Rudd’s speech turned out to be this morning. I’m actually proud of my government for the first time in a very long time. I’m struggling for words, and that’s quite OK.

Said with more eloquence I can muster right now at Sorrow at Sill’s Bend:

The message was loud and clear. Australia is sorry. There will be no more lies and evasions; the government of Australia apologises for what it did. The first business of the new Parliament was the making of a long overdue forceful and formal acknowledgement of dreadful wrongs and a sincere expression of sorrow for the pain and grief these wrongs caused. It is not incongruous or wrong to feel joyfulness and optimism because the joy is for what might come of what was done so well today.

For readers who weren’t able to watch the apology live this morning, here it is (part 1)

Parts 2, 3 and 4 here.

Date : 13 February 2008 at 15:57
Comments : 3 Comments »
Categories : politics

Sorry

12 02 2008

Tomorrow, the Prime Minister will say sorry to Indigenous Australians, and especially to the members of the Stolen Generations, on behalf of the Parliament and successive Governments.

Shamefully, it comes more than a decade after the Bringing Them Home report.

It’s very significant, it’s about time, and it’s (only) a start.

The sense of occasion around it has produced spaces in the cultural public sphere for the thousands of stories that have been told and retold, but not necessarily heard; in a way the speech itself is an act of listening.

A couple of personal remarks:

Earlier I was curious about how much anticipation of the event was building on YouTube; and of what kind.

Can you guess what the top result for a search based on the keywords ’sorry Australia’ is?

This is.

I couldn’t bear to actually embed the image, let alone the video. I will have to think long and hard about the implications for my stubborn optimism about participatory culture.

A couple of videos that date from around the time I (probably, far too complacently) assumed a government apology would happen any day.

This is Keating at Redfern in 1992, a moment which feels slightly bizarre and tuneless to me now, not least because it is so very long ago; and politically, so very distant from where we are now. Notice the one and only audible burst of applause, at about 01:42 - you can probably skip to there:

And Archie Roach - another remembered moment from the early 1990s, which probably did more to sear the need for an apology into the hearts and minds of non-Indigenous Australians than anything else at that time:

It all seemed so much closer way back then than it did just a few short months ago. I’m really looking forward to tomorrow.

Date : 12 February 2008 at 21:33
Comments : 2 Comments »
Categories : cultural studies, politics

The Street as Platform (and the World as ‘Human Network’)

11 02 2008

When as now I’m struggling with the agony of trying to write for publication, which means attempting to communicate carefully and clearly, and not unattractively (as opposed to ranting inadvisedly), encountering one of Dan Hill’s longer blog entries is without exception guaranteed to make me ever so slightly envious.

The way the street feels may soon be defined by what cannot be seen with the naked eye.

Imagine film of a normal street right now, a relatively busy crossroads at 9AM taken from a vantage point high above the street, looking down at an angle as if from a CCTV camera. We can see several buildings, a dozen cars, and quite a few people, pavements
dotted with street furniture.

Freeze the frame, and scrub the film backwards and forwards a little, observing the physical activity on the street. But what can’t we see?

—-

We can’t see how the street is immersed in a twitching, pulsing cloud of data. This is over and above the well-established electromagnetic radiation, crackles of static, radio waves conveying radio and television broadcasts in digital and analogue forms, police voice traffic. This is a new kind of data, collective and individual, aggregated and discrete, open and closed, constantly logging impossibly detailed patterns of behaviour. The behaviour of the street.

This is a lovely essay (with great images) that asks us to imagine the now-future city, and to mentally re-assemble what we already knew was there so that the street is (I think literally) understood as a platform. Dan then asks some good questions about the implications of that re-envisioning for governance and regulation. Even if it’s a metaphor, it’s an effective one.

Although the “yes, but” question about who is connected and the unevenness of agency of course comes to mind, along with the slightly panicky one, “But how do you turn it all off?”

Worth a read.

Update: Not two minutes after I finished this post, Luca twittered the new Cisco ad.

Wow, kind of contrasting invitations to imagine the future, there.

I guess if we don’t want to deal with the micro-politics of our everyday relationships to technology, as Dan describes, there’s always techno-utopias that manage to render technologies all-powerful, endlessly imprintable with benign human desires, and invisible, all at once. Magic.

Date : 11 February 2008 at 21:01
Comments : 3 Comments »
Categories : networked culture, urban cultures

valentine’s day, postsecret style

11 02 2008

I don’t think I’ll ever get tired of the PostSecret thing, now ported to YouTube for Valentine’s day as a video montage complete with hipster ‘home-made’ animation:

[the video is an advertisement for the books, btw, which is entirely appropriate for this made-up ‘holiday’]

Happy Hallmark Card Day.

Update: I didn’t realise how many Postsecret fanvids there were until just now. Such a nice change for me from the Jonas Brothers. Some of them are masterful examples of the ubiquitous Ken Burns effect, some of them have entirely too much pink cursive writing and Tori Amos. But I liked this one:

And after watching about another 20 of those, I am at least a little bit sick of the postsecret thing now.

Date : 11 February 2008 at 14:05
Comments : No Comments »
Categories : advertising, vernacular creativity, youtube

Why I’m deleting my Facebook account

5 02 2008

I know the zombies and pirates will be sad and my virtual garden/fish/panda will die, but I’m leaving Facebook. I swear it’s not a case of getting early adopter syndrome. Trust me, given my background in subculture theory, I have workshopped that one.

It’s complicated and potentially long-winded, so in a nutshell, I have both professional and personal reasons.

1. Facebook is an excellent example of worst practice in almost every aspect of how to run and manage an online social network, and as someone who ostensibly believes there are good and bad ways to do those things, I don’t want to be part of it anymore.

2. Too many worlds colliding, too many invites to vampire garden pirate fishtank zombie kissing applications, and yes, I ended up with kind of too many friends from too many different spheres of my existence (not that I don’t love them all, really) for it to be non-complicated and fun.

Which is fine, and mostly my own fault, I can just log in less frequently, right? Apart from all the obvious problems with that (ignoring friend’s requests and messages and birthdays?), when I started toying with the idea of leaving I had this thought: “Sigh. I can’t leave. Everyone I know is on there and increasingly organising events through the events application, and…”

Whoa, what? I CAN’T LEAVE a commercial service that I never thought was super awesome in the first place and now I’m sick of BECAUSE MY SOCIAL WORLD IS STARTING TO DEPEND ON IT???

Right.

So the only way to reclaim my capacity to act is to engage in the politics of refusal, which I usually think of as pretty much an expression of impotence. Which makes me even more angry.

OK, so to be a bit more rational, here are just a few of the areas in which Facebook takes the prize for worst practice.

1. I’m not the first to say this, but yes, Facebook is the antithesis of the concept of openness.

2. The Terms of Service Use are a triumph of Kafkaesque surrealism and nasty, mean, trickery.

3. Almost every means at the user’s disposal to make their experience of the site safer, more socially comfortable, and less irritating (turning off notifications, making certain content visible to certain friends, making your profile invisible to Google searches, etc) requires effort and knowledge on the user’s behalf. Which is one among many symptoms of utter contempt for the users. See 4.

4. Did I mention the Terms of Use?

5. Oh, and even though Tom Hodgkinson clearly doesn’t respect the unwashed masses any more than the company does and generally thinks the interwebs are a waste of time, according to him it might also be run by an evil neoconservative conspiracy. Which would explain 1, 2, 3, and 4, and gives me little hope that user activism will ever make a bit of difference.

Anyway, there’s always a straw that broke the camel’s back. In my case, it came when an older member of my close family rang me for info and advice about how to ‘get onto’ Facebook, because other family members were sharing photos and news there, which anyone not using Facebook was missing out on.

The longer I talked about what people use Facebook for, and how to manage friends and privacy and tried to answer questions about why Facebook needed your date of birth, and whether ‘they’d send all kinds of junk emails’, the more uneasy I felt. It wasn’t anything like the many, many ‘how to use email’ or ‘what you can do with the Internet’ or ‘how to edit your digital photos’ conversations I’d had with family members and older friends and acquaintances before. So that’s when I started thinking about leaving.

Oh, and by the way, in order to delete your Facebook account, apparently, you have to not only deactivate it, but also delete every single item you have contributed to the site (messages, wall posts, posts other people have written on your wall, photos, links to contacts, profile information) and then email customer service and request they delete your account completely. Oh, and also, in order to delete absolutely everything, I’d also have to re-add every single one of the applications I’ve ever had installed, and then go through and remove the content, and then delete the applications again. Because when you delete an application, guess what? Your data is still stored there somewhere.

That’s not just meanness, but I’m pretty sure it’s also not just to be helpful in case you’re quitting in a fit of pique like this one and might decide later that you want to come back. It’s also because of the way the business model works: Facebook and all the marketeers who sail in her pretty much just want you to visit as many ad-bearing pages per visit as possible (that’s what all those applications and invites are for), and having lost your eyeballs, they’d quite like to keep the data that can be mined from those activities. So they’re going to make it as difficult as possible to scrub that data out of the system. Can you guess how much that softens my heart toward the company?

This is all very obvious of course, and absolutely non-unique, I know that. It’s just I’m not willing to put up with it anymore in this particular case.

So off I go digging little tiny pieces of content out of my account until it’s all clean again. It will be gone by this time tomorrow.

Date : 5 February 2008 at 19:38
Comments : 21 Comments »
Categories : networked culture


Pages

  • About
  • Research
  • Publications

Tags

advertising blogs and blogging cool finds craft cultural studies digital storytelling DIY film/video flickr gender history of tech hype labour life in academia literacy music and sound music scenes networked culture PhD progress photoblogs photography politics postdoc publications etc quick links readings research methods silliness site techlog social shaping the commons Uncategorized urban cultures vernacular creativity youtube

Recent Comments

  • Beth Kanter on What is Flickr Video For?
  • Tama Leaver dot Net » Blog Archive » Bored of Facebook? on Why I’m deleting my Facebook account
  • From TweetClouds to TagCrowds - Another Voluntary Meme | Beyond School on tagcloud of my phd
  • Hot Myspace Layouts on further to the myspace/facebook class debate
  • Passport to Web 2.0 and Beyond » Blog Archive » Tag Croud - Tag cloud creater on tagcloud of my phd

Archives

Latest Entries at Propagating Media

My other places

  • Propagating Media
  • del.icio.us

Meta

  • Login
  • Entries RSS
  • Comments RSS
  • WordPress.org

rss Comments rss valid xhtml 1.1 design by jide powered by Wordpress get firefox