Category: digital storytelling

first person: international digital storytelling conference

I’m going to be presenting at this – should be an interesting collision of practitioners and researchers (and people who are both):

First Person: International Digital Storytelling Conference
Friday 3 February – Sunday 5 February 2006
The Australian Centre for the Moving Image, Melbourne, Australia

First Person will showcase Digital Storytelling as a new cinema of personal portrait, engage with story as an interactive practice and investigate the use of technology to share meaningful stories as a global community.

iPod video

One of many interesting discussions about the affordances, limitations and possible uses of the video iPod is happening at Adrian Miles’s blog. As I say in the comments, I’m quite positive about the implications of the iPod for small-format, visually humble and sonically rich cinema – like what my team had in mind with the prototype digital story we produced in the masterclass last week, or this kind of videoblog post. Once I get clearances sorted, I hope to post a version of our “story” (which is not so much a story as an impression, since it didn’t have a script and instead used remixed location sound and stills) soon.

A frequently overlooked, but incredibly important innovation from that point of view is that the new iPod records audio at 44.1 khz, which is CD quality, instead of the lame 8 khz the previous models limited you to. Not only that, but it records in stereo, which makes an enormous difference for recording anything other than lecture notes.

I want one.

Who wants to buy me one for Christmas? Sigh. I’ve been blessed with gadgets from heaven…

[edit]: Nice article on the new iPod in relation to audio recording at iLounge, and another lengthy discussion at music thing.

Daniel Meadows: Digital Storytelling Lecture

Daniel Meadows is a world leader in the Digital Storytelling movement and is here at QUT to offer a master-class workshop on new directions for digital storytelling.

Come and join us…

Public Lecture: Digital Storytelling: the journey from ‘doing media to people’ to ‘enabling people to do media’.

When: Tuesday 1st November (THIS COMING TUESDAY) from 4.30pm -6.00pm

Where: QUT Creative Industries Precinct, The Hall (Z2-226), Kelvin Grove.

Daniel Meadows Interview

J.D. Lasica has posted the video of an interview he did with Daniel Meadows at the Digital Storytelling Festival at KQED in San Francisco. In the interview, Daniel – who started it all here at QUT with a “train the trainers” workshop back in April 2004 – talks with characteristic passion about the social power of digital storytelling – where “empowerment” and aesthetic elegance meet the public sphere – as well as his own practice as a digital storyteller and trainer (see Daniel’s website http://www.photobus.co.uk and BBC’s Capture Wales for examples).

tales of small things

The BBC digital storytelling program has been exploring themed workshops (or at least thematic collections of digital stories) for a while – mostly pretty “big” stuff like family history, and there are some truly epiphanic experiences shared in those stories: revelations that recover lost histories, therapeutic moments of catharsis, and so on. It seems that these are the stories that people who come to digital storytelling workshops for the first time are often burning to tell – stories of recovery, of loss, of joy, of finding or losing one’s place in the world.

But I am really much more excited by the idea of Shoebox Stories: “A collection of digital stories about favourite objects made by visitors to the BBC Wales Community Studios”. I love the idea of stories extracted from personal objects, because they allow for a more subtle and multilayered style of storytelling, one which can come sideways at the themes of memory, loss, nostalgia, longing, and belonging. I think there is a special elegance that comes from unravelling the threads of meaning, the powerful whispers of memory that come packed into very small things, but it’s important for me that this elegance can emerge organically from everyday experience, without being overdetermined by an explicitly artworld aesthetic.

Mobile digital storytelling…

I’ve been ranting on and on about mobile phones as media production tools for ages – luckily, I never have to actually develop products to back up my rants, because time after time someone else has been doing it in the background all along…witness HP StoryCast: Simple, digital storytelling with photos and narration

StoryCast is an experimental digital storytelling service that lets people use their camera phones and other mobile devices to easily create and instantly share stories with friends and family. Each story consists of a sort of narrated slide show of photos accompanied by the storyteller’s voice.

As usual, the idea is interpersonal communication (‘friends and family’) but if this gets taken up with any momentum, we’ll probably see public online platforms for sharing too…

60 second story

The 60 Second Story Competition is an excellent idea, especially in encouraging people to use the video recording capabilities of mobile phones. Reminds me of my MMS haiku idea (3 images, 3 captions with correct no. of syllables and all – voila!) Anyway….

We need more stories in our lives, yet we don’t have much time for them. Most digital cameras and webcams allow you to take one minute of video and audio at resolutions suitable for the web. The solution: 60 second stories, of course.

We are pleased to announce the 60 second story competition. 60 second stories are works of fiction recorded by their authors as digital videos, less than one minute in duration. Files size must be less than 5MB, and work must be submitted under a Creative Commons Attribution-Share Alike license. Entries are being accepted from now until June 8th, 2005.

Some of the submissions are already online.

Archaelogy of the Voice

Ever since MIT4 last week, I’ve been exploring a recent epiphany to do with the sonic characteristics, and not only the visual ‘construction’ of digital stories In this article from 1997, performance theorist and archaeologist Mike Pearson reflects on some of the issues raised by the Centre for Performance Research, Aberystwyth’s (then) recent conference on ‘An Archaeology of the Voice’. Archeology + Performance Studies – cool:

First, we might consider the voice as itself an artifact, manufactured through social practice. Its utterance is its raw material but as with a stone tool it is worked by hammering, splitting, trimming, polishing; as with a pot it is thrown, glazed, decorated, embellished, fired; as with a metal axe it is smelted, cast, moulded, alloyed. The processes of its fabrication are social, cultural, personal, artistic. It attains the deep patina of usage. Yet it is susceptible to wear, corrosion, mutation, decay; it displays marks of time and experience.

distractions

I’ve been quiet because we have all been derailed by this for the last two days.

Thankfully, I get to leave that headspace this afternoon when I get to help a handful of Creative Writing students begin the process of constructing their digital stories out of an assemblage of voices, images, and lived experiences.

on having something to say

While working as a trainer in digital storytelling workshops has been rewarding, I’ve been anxious to see if any of the participants will continue using the techniques they learned in the workshops, and how far the stories they have already made travel among their peers. I’ll see what happens to the stories made in the Youth Internet Radio Network workshops when ‘sticky’, the web manifestation of the network, launches soon, which will be interesting.

One of the participants in the KGUV Sharing Stories workshop, Leila Wu, who is also a master’s student here, has taken digital storytelling and run with it, making 3 more stories – two for and about the church she is a member of here in Brisbane, and one in collaboration with a photojournalist friend of hers, about the continuing threat of landmines to everyday life in Cambodia. Download or watch it here (mp4, 6MB).

To my mind, this particular story is a very strong proof of concept – it’s powerful, simple, and elegant, and emerges naturally from a combination of learned skills, accessible technologies, and an existing friendship. Most interestingly, this story came into being as a result of these two friends sharing the belief that they have something to say (rather than having to say something), and that the digital story format was the best way to say it. And based on a chat I had with her last week, Leila is very passionate about the potential of digital storytelling for new media in China – she’s going back there on quite a mission it seems! I’m very proud of her and looking forward to hearing about what happens next.